“fluffy” as it may seem, i have to admit that i enjoyed the lost valentine. it was like watching a maalaala mo kaya episode and if pinoy romcoms
are like this, i won’t mind seeing one.
according to imdb, this movie is about lucas thomas's grandmother, caroline (betty white), who returns every valentine's
day to the station where, at their then first wedding anniversary, she waved
off to the pacific war theatre in 1944 naval pilot neil, officially still
missing in action. lucas (sean faris), a former baseball star and reputable
physiotherapist about to publish, tells the story to a station manager, who
assigns the item to susan allison (jennifer love hewitt). susan gets involved
and befriends caroline, but resists her crush on lucas on account of an already
soulless engagement with international reporter andrew hawthorne. caroline's
mild cardiac crisis seems to ruin everything.
susan was then assigned to another story as caroline was recuperating. from
susan’s story on a US senator, she was able to track down the last moments of
neil thomas’ life, from his posting in the philippines, to his heroic act of
letting a wounded comrade take his turn to be salvaged and to his death after
shielding a filipino boy from the japanese enemies. neil was then awarded a posthumous
medal of honor, brought back to the US and were reunited with caroline after
more than 60 years.
not so good points? of course, the manner how susan was able to achieve
such a feat was all too ideal. there were also scenes that were highly unlikely
such as the rose suddenly flowering towards the end of the movie. moreover, the
sub-story on susan and lucas’ love angle could have been shortened. although
there was some level of chemistry between hewitt and faris, the movie could
have been more successful if it focused on what did caroline do between the day
when she found out that neil was missing and 1990s perhaps. jennifer love hewitt’s
susan seemed to be just longing and falling for a younger guy rather than being
actually sunk in a not-really meaningless relationship. it being parallel to
caroline and neil’s love affair just paled in comparison.
love stories and most stories wrought by world war II are always sad,
dark and wholly depressing. but this one did not feel like it. white’s caroline
represented a section of the society that did not question god why the war had
to happen. instead, she kept hope in her heart, toughed out the loneliness of
not knowing what really happened to her husband, regretted nothing and went on with her life. for
this alone, i liked the movie already. central to this would be the fact that
they got betty white (nominated in the SAG awards for best actress in miniseries) to play caroline, who was truly effective in this role. she
beamed with inner glow even in her twilight years. the flashbacks of the 40s
era and the war itself were also good.
it was a good (could have even
better of course) feel-good film.
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